For his 65th birthday, Harry Johanson boarded a flight to Toronto. But that was far from his final destination. After stops in Chile and Argentina, he found himself on a Russian research ship, heading further southward. Fourteen days later, he set foot on Antarctica. He explains that he was lucky to land safely because the route the ship took was one of the most dangerous routes any ship could take on planet Earth.
“We took the Drake Passage through to Antarctica and had to race a storm that was coming up behind us,” Johanson says. “The next year, that same ship got trapped in the Antarctic ice and needed to be rescued by a Chinese cargo ship.”
Johanson is a self-taught photographer who first took up the hobby in the 1990s while working as a long-haul truck driver. He remembers being hired by the Canadian Fish and Wildlife service to travel into what is now Nunavut and met a wildlife photographer while he was up there. He was immediately fascinated by the craft and decided to take it up for himself. What transpired over the years is a passion for travel and capturing images of wildlife that has seen Johanson explore all seven continents. His trip to Antarctica saw him snap shots of penguins, seals, and many different species of birds.
“I don’t edit any of my photographs,” Johanson boasts, proudly displaying photographs of Red Pandas in China and sea turtles off the coast of Kauai, Hawaii. “I want to show my authentic photographs.”
His most recent trip was down to Yuma, Arizona, where he spotted humming birds. He set his camera to take shots at 1/4000th of a second and caught the bird in flight, making it appear as if floating in mid-air with its wings completely still. This is far from his most impressive photographs. His trips out to Kenya put him in close proximity with lions and water buffalo. On a trip to Tanzania, he visited Olduvai Gorge where the world’s oldest human fossils were discovered. And his trip to the Galapagos Islands gave him first-hand experience as to what Charles Darwin saw as he wrote On the Origin of Species. The photograph Johanson is most proud of, though, is one he captured while in India.
“I spotted a Jackal and I followed him along, snapping photos,” Johanson reminisces. “From a tall grass, a Bengal Tiger popped up its head. I followed it to a creek and captured some photos of it walking across the rock bed.”
Snapping photos of rare animals is Johanson’s biggest passion. With little more than only 2,500 Bengal Tigers left in the world, being able to see one in real life in the wild is a highlight to Johanson’s photography tenure. His adventures have also seen him snap photos of White Lions (though it was in a zoo in Germany), Kiwi birds, and a road runner (where he got close enough that the road runner’s head feathers stood on edge as a warning to Johanson not to get any closer). He tries to keep a safe distance from the wildlife he shoots but has suffered his fair share of injuries from his subjects. Once while shooting a goshawk, the bird it struck him in the face, leaving a severe cut near his eye. Johanson has also suffered injury from a great horned owl and a snowy owl.
Despite all he’s seen and experienced, Johanson’s drive to continue is far from waning down. He explains that he has yet to see Canada’s Maritime Provinces and wants to return to the Arctic Circle to capture photos of muskox and caribou. Knowing there is always something new to see and something new to learn, Johanson will continue travelling as far and wide as he can, taking in as much of this world as he possible can.
“Travel is the best learning tool a person can have,” says Johanson. “Everywhere I go, I meet the people and I learn so much about them. The biggest thing I’ve learned is that, as people, we are really all the same. We may have different cultures and customs, but we are all human beings who all come from the same place. There’s really no end to what you can learn.”
While working as the head of the 124 Street Business Association, Helen Nolan received a call from a couple with a new business idea. The couple had been rejected by two other business associations in Edmonton before calling Nolan. She loved the business plan and got right to work making sure the rest of the association was on board for this new business venture.
“If I want something, watch out!” Nolan exclaims with a laugh. “The business plan was just so unique and I knew that 124 Street would benefit from this new business tremendously.”
A short while later, Duchess Bake Shop opened its doors and quickly became a staple not for just 124 Street, but for Edmonton as a whole. To this day, Edmontonians venture out to the Westmount neighbourhood solely for macarons and other French baked delights. Nolan’s business savvy and community building know-how made her 15 years with the 124 Street Business Association crucial in the area’s development as it’s become one of Edmonton’s new favourite areas for food and culture.
To commemorate her contributions, the park on the corner of 124 Street and 108 Avenue will be named after Nolan with a big celebration taking place on Saturday, September 23, 2017, starting at 1:00 p.m. For Nolan, her commitment to her work as the Executive Director with the 124 Street Business Association stems from early years.
“I grew up in Mitchell, Ontario, a small town where I was related to half of the population,” Nolan explains. “My whole family was in business there and that’s where I learned that small business is truly the back bone of our country.”
In 1960, Nolan married a Member of Parliament from Hamilton, Onatrio, and found her passion for politics, remaining a champion for small businesses in the area. The couple eventually moved to Calgary for work, and then to Edmonton a short while later in 1987. She immediately embraced the city. “I remember taking a bus trip in and looking at the Hotel MacDonald and looking into the River Valley and thinking just how beautiful Edmonton was,” she reminisces. “Since moving to Edmonton, I’ve never looked back.”
It didn’t take long for Nolan to build connections around Edmonton both in business and in politics (she even ran for City Council for Ward 1 in 1992). At 75 years old, she finally decided to retire. A couple of years after that, she moved into Pleasantview Place, where she now focuses on her creative and artistic side.
“I’ve been singing jazz professionally for about 60 years,” Nolan says. “I’ve done shows with big bands and small quartets all over Canada.”
You can still find Nolan singing with her trio for the seniors at Cantebury Manor, Devonshire, and other venues around the city. She also volunteers with Pleasantview Place working with some of the other residents and tenants in a drama group. Nolan explains that the group had so much fun with the plays, they took the show on the road and performed for other GEF Seniors Housing buildings.
For Nolan, the park dedication is a happy by-product of a life working to make other people’s lives better. Whether it’s joy and entertainment from singing an Ella Fitzgerald classic or finding business opportunities to help build communities, Nolan’s drive to keep going isn’t slowing down. Now at age 81, Nolan describes herself as having a bubble of happiness in her that spills out.
“Every day I want to do something positive,” says Nolan. “Even if it’s just saying hello to someone at the grocery store. I never miss an opportunity to say hello or say something silly. So many people put up walls around themselves, especially as they get older. They shut out life. I want to open up my heart and keep embracing life.”
Jim Murland came back to Edmonton in 1948 after serving in the Second World War and he found his first home in the McKernan neighbourhood in the city’s south east. After he settled in his new home, one of the first jobs he had was adding stucco to the outer brick wall on Knox Metropolitan United Church in the Garneau neighbourhood. Now at 98 years of age Murland lives at Knox-Met Manor, an apartment building currently being managed by GEF Seniors Housing that was originally built in 1984 in part from help from Knox Metropolitan Church.
The church closed its doors in 2016 with plans to tear down the original building for a new condo development. For Murland, some of his memories of the church that first opened its doors in 1928 stem to one of the most distinctive design features on the building. “I remember attending sermons at the church and always looking up at the stained glass window,” says Murland.
Knox-Met Manor was one of the recipients of a section of the stained glass window because of its close ties to the church. Of the more than 80 tenants living in Knox-Met Manor, many share Murland’s enthusiasm about receiving the window.
Joyce Dahl has been living at Knox-Met Manor since 2000 and was the building’s tenant representative to the church group. She explains that preserving the role that the church played in the development of the property and the connection between the church and the Manor is one to be celebrated. The church played a significant role not just in the history of the Garneau neighbourhood but for Edmonton as a whole.
One piece of history is the role Knox Metropolitan United Church played in the Edmonton chapter of Amnesty International. Before she moved into Knox-Met Manor, Florence Miller was a member of Amnesty International and would take the bus from her north side Edmonton home to the Garneau neighbourhood for meetings. She recollects the different events the Edmonton chapter of Amnesty International played in welcoming new communities to the city from all around the world and the work done to help ensure that these new groups knew they were welcome.
“Even now, there’s still a lot of diversity in [Knox-Met Manor],” Miller says. “We have neighbours from Egypt, Pakistan, South Korea, Papua New Guinea, all over. I want to make sure this piece the church’s stained glass window has a place in our building to commemorate the history of Edmonton being a welcoming city.”
Gail Brown is part of a group of tenants at Knox-Met Manor who wants to see the donated piece of stained glass find a permanent place displayed in the building. Though only living in Knox-Met Manor for the past two years and having no direct connection to the church, Brown still feels a responsibility to preserve this piece of the community’s history.
“I’m in very strong support of public art that shows the history of our city,” says Brown. “The church is empty now but it helped build this place that so many people call home. We have a piece of the architecture and it’s something amazing that needs to be respected, preserved and its history maintained.”
Lorna Etwell points out that the seventh floor of Knox-Met Manor is a perfect spot to mount the stained glass. It’s a shared space where tenants go to do their laundry, read a book, hop on an exercise bike, do a puzzle, or meet in the sun room that overlooks the Garneau neighbourhood and right to the spot where the empty Knox Metropolitan United Church stands for the time being. She recalled that after some discussion it was determined that the brick wall next to the book case was the best location to proudly display the piece of community history.
“It’s an honour to have received this gift from the church,” says Etwell. “We want to do right by making sure it has a place where is can be appreciated.”
“I turned the key/Opened the door/One bedroom suite/Second floor/Grace Garden Court.”
Deepa Garbaria wrote this opening line to a poem when she moved into her new home at Grace Garden Court. The poem titled “Anxiety” outlines her struggles adjusting to both moving to Edmonton from Montreal and to moving into her new apartment.
“I didn’t like it at first,” Garbaria says with a chuckle as she points out that she moved into the building back in 2001. Needless to say, Grace Garden Court has grown to be Garbaria’s home and has become the centre of much of her poetic expression.
Garbaria discovered her love of writing poetry after she retired from working as a teacher. Originally from Nairobi in Kenya, she landed in Montreal with her husband and three children and eventually got a job teaching at the school on the Kahnawake reserve. She remembers being involved in many different arts programs with the children she taught including directing theatre productions and writing poetry.
“Some of my former students would go to see my sister because she was an eye doctor,” Garbaria reminisces. “They all remembered me teaching them poetry and would still talk about it.”
As her skills in writing poetry developed, she began taking part in poetry readings throughout the city and even had a collection of poems published by a teacher named Sandra Mooney called Seeking in 2010. In 2016, she decided to submit a poem to a Canada-wide contest with the Victoria, British Columbia, based Poetry Institute of Canada. She received a fourth place prize for her poem Rossington Cottage and her poem was published in the Island Tides anthology along with the other contest winners.
For Garbaria, writing poetry in English provides a special challenge that she finds joy in overcoming. She speaks Punjabi, Hindi, Urdu (all relating back to her relatives who were originally from India), and Swahili (the main language in the African countries she grew up and worked in) along with English.
“Direct translations never work right, so I sometimes struggle to find those right words I need to express what I’m feeling,” says Garbaria. “When I find the words, though, it makes me so happy. But the happiness doesn’t last long and I want to work on the next poem and keep building my self-confidence.”
The topics of Garbaria’s poems range from the spruce tree outside her apartment window to watching nature during the winter time. She even wrote a poem to commemorate former Grace Garden Court building manager Joyce Rebman after she left GEF Seniors Housing. Even at 89 years old, every one of Garbaria’s poems is another opportunity for her to grow.
“I have so much in my brain and it needs to come out,” Garbaria says. “I have so much culture in my background, being Indian heritage, being a part of the British colonies, living in Africa, and now living in Canada. I have seen and experienced so much, countries changing, capitals changing, kingdoms falling, and I have so much to share.”
Garbaria’s life experiences help drive her to continue being creative. As she explains, she gravitates towards poetry because of how far it can reach and how anyone can enjoy it.
“Poetry is so universal,” Garbaria concludes. “Right from the songs and lullabies that a mother would sing to her child, poetry is in every human being.”